While I almost think Michael Moore is below comment, I’ve seen two articles worth reading on Farenheit 9/11: Stephanie Zacharek in Salon on how his filmmaking undercuts his allegedly liberal beliefs (”He professes to feel great compassion for the common man. Yet over and over again, in movie after movie, he invites the audience to chuckle over ordinary people. Why?”), and Christopher Hitchens in Slate, who is less sympathetic politically, skewering his arguments.

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