Somerville photo shoots
Wednesday, June 11th, 2008Thanks to Terri’s photo class, I managed to (barely) miss the fun on the Red Line this morning. We left the house at 7:40 or so (normally I leave at 8:10 or so), so although the train was abnormally crowded, we actually made it all the way to Park Street. Though, we did notice that it smelled weirdly like fire when we stopped abruptly just after Porter Square.
After work, I met up with Terri and we walked around and she took pictures, and we ended up at Rosebud. We never go to Rosebud. It’s a well preserved little train car diner with nifty neon. But it pretty consistently has bad food, so we never end up going there, what with the infinitely better options in Davis Square. But we went, because Terri needed to take pictures inside for her class, and all the tastier joints were too dark. There was a sign on the wall behind the bar that said “try our world famous bloody mary!”. I recommend that you not bother with the world famous bloody mary, which was watery tomato juice, vodka, with a wilty celery stick. Just get a Harpoon IPA. The one thing that we ordered that was fantastic was the buffalo mushrooms. Some time in the last 5 years I’ve become sort of a buffalo fiend, and pretty much, you put buffalo sauce on it, I’ll eat it. (Shut up). But we left thinking that we should go back more often. It’s a place definitely where old-school Somerville character gets along pretty much fine with the gentrificators like yours truly. The waitress saw Terri taking all kinds of pictures and brought her over a postcard and said, “this one’s probably going to be better than the one you shot outside”. We explained that she was taking a photo class, so we hoped they didn’t mind us taking pictures. The bartender heard that (it is a train car after all) and said “OK, just make sure you only shoot my good side” and turned his face to the left and pointed to his right side. When we were wrapping up, a couple came who appeared to be regulars. The waitress asked them where they were last night (for the Celtics game). The woman said that they were down on the cape. There was a picture of Larry Bird taped to the side of the TV over the bar.
Anyway, we left thinking we should go back there more, if only for drinks.






It was Trouble in Paradise, the fantastic Ernst Lubitsch comedy from 1932 starring Herbert Marshall and Kay Francis. It’s so perfect; the writing is fantastic, the acting— particularly the timing— is superb, the cinematography is gorgeous, the sets are fantastic. In a lot of ways it is very restrained about sex— you barely see any kissing— but much is suggested. The humor is in no small part fueled by extremely witty double-entendres and there is a very “Contintental” attitude toward sex throughout. It was released just months before the Hays code really kicked in; it would be another thirty-five years before Hollywood got that open about sex again, and it would never again have that elegant, paradoxical, and intoxicating combination of openness and restraint. The sets and clothes are stylish, modern, and somehow more tasteful than some of the over-the-top displays of extravagance in other films shot in the nadir of the depression. You still just want to climb in and live in that world (at least I do). And, at least for me, the perfection of the whole thing is bittersweet, knowing that thanks to (fellow Wabash College alumnus) Will Hays, there would never be another film like this made again.